1. Ghost Machine Treasons (13:08)
2. Saucer Secrets (8:41)
3. Blind Science (9:23)
4. City On The Dark Side Of The Moon (12:13)
5. Levitation (6:07)
6. Happy Gargoyles (2:12)
Total Time 51:45
All music by Squid Choir Orkestra.
These tracks are recorded live performances.
Overdubs (on 1,2,3) were done live, in one take.
Recorded and mixed at Krazy Kat Studio: Jay Zelenka,
engineer. 1999
Cover art: H. Annie Ortbals
Desigh: Tony Patti
Produced by: JZ & Freedonia Music
© (P) 2006 Freedonia Musiic
Jeremy Melsha: turntable, frequency generator, short-wave radio, laptop computer, analogue tape, digital delay pedals. Acoustic trombone on track 4.
Dave Stone: baritone, tenor, soprano saxophones played through guitar pedals (distortion, delay, whammy pitch transposer, ring modulator) and feedback. Acoustic bass clarinet and baritone sax on track 4.
Jay Zelenka: alto saxophone played through digital delays, Moog ring modulator, and guitar pedals (whammy, distortion, wah). Theremin and synthesizer on tracks 3 and 4. Acoustic alto sax on track 4.
Ajay Khanna: laptop computer, real time synthesizers and sample playback.
Derek Leu: electric guitar and prepared electric guitar on track 3.
Dave Stone: baritone, tenor, soprano saxophones played through guitar pedals (distortion, delay, whammy pitch transposer, ring modulator) and feedback. Acoustic bass clarinet and baritone sax on track 4.
Jay Zelenka: alto saxophone played through digital delays, Moog ring modulator, and guitar pedals (whammy, distortion, wah). Theremin and synthesizer on tracks 3 and 4. Acoustic alto sax on track 4.
Ajay Khanna: laptop computer, real time synthesizers and sample playback.
Derek Leu: electric guitar and prepared electric guitar on track 3.
Electrifying electronic free jazz/power electronics/maximalistic & over-the-top with influences ranging from Braxton to Borbetomagus,from Fripp to Frith drawing inspiration from circuit bending, sampling, laptop-jocks and noise-music & heavily influenced by the acoustic experience of its musical "alter ego", The Free Jazz Posse.
Recorded in the spring & early summer of 1999, Fractured Infinity and the electronic group responsible evolved as an extension of music being recorded throughout '98 by the Free Jazz Posse and the ongoing electric/electronic music being played by these same musicians elsewhere: Stone, Melsha & Khanna had all served time in various electronic iterations of Chris Smentkowski's free improv band, Brain Transplant and both Stone & Khanna have extensive independent experience in electronic music. Squid Choir Orkestra has recorded several Cd's and more of this music will be released in the future by Freedonia Music.
Recorded in the spring & early summer of 1999, Fractured Infinity and the electronic group responsible evolved as an extension of music being recorded throughout '98 by the Free Jazz Posse and the ongoing electric/electronic music being played by these same musicians elsewhere: Stone, Melsha & Khanna had all served time in various electronic iterations of Chris Smentkowski's free improv band, Brain Transplant and both Stone & Khanna have extensive independent experience in electronic music. Squid Choir Orkestra has recorded several Cd's and more of this music will be released in the future by Freedonia Music.